Janz, Tobias (2015). Claude Debussy: Twelve studies for piano Musical Composition of Anti-Academicians. Arch. Musikwiss., 72 (1). S. 55 - 76. STUTTGART: FRANZ STEINER VERLAG GMBH. ISSN 0003-9292
Full text not available from this repository.Abstract
The author considers Debussy's twelve etudes for piano as a systematic reflection on the foundations of music and musical composition. For four of the etudes, procedures relating to the artistic de-composition of the foundations of their musical language are discussed; on the basis of these procedures, each etude develops its own distinct formal conception. The line of reasoning used is supported by Slavoj Zilek's thoughts regarding the pre-synthetic imagination and its importance for the development of modern subjectivity. The finding that Debussy's etudes exhibit this process of subjectivation can be understood as a cue for the etudes' place in music history.
| Item Type: | Journal Article | ||||||||
| Creators: |
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| URN: | urn:nbn:de:hbz:38-416755 | ||||||||
| Journal or Publication Title: | Arch. Musikwiss. | ||||||||
| Volume: | 72 | ||||||||
| Number: | 1 | ||||||||
| Page Range: | S. 55 - 76 | ||||||||
| Date: | 2015 | ||||||||
| Publisher: | FRANZ STEINER VERLAG GMBH | ||||||||
| Place of Publication: | STUTTGART | ||||||||
| ISSN: | 0003-9292 | ||||||||
| Language: | German | ||||||||
| Faculty: | Unspecified | ||||||||
| Divisions: | Unspecified | ||||||||
| Subjects: | no entry | ||||||||
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| URI: | http://kups.ub.uni-koeln.de/id/eprint/41675 |
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