von Blumroeder, Christoph (2018). The Significance of Electronics in Karlheinz Stockhausen's Work. Arch. Musikwiss., 75 (3). S. 166 - 179. STUTTGART: FRANZ STEINER VERLAG GMBH. ISSN 0003-9292

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Abstract

Composing within the electronic medium, i.e. modifying sound with the help of electroacoustic apparatuses, has been an essential determinating factor in the musical work of Karlheinz Stockhausen, as a spectrum of electronic pieces from Studie I (1953) to Kontakte (1958-60), Mixtur (1964), Hymnen (1966-67), Oktophonie (1990/91), and Cosmic Pulses (2007) documents. The article considers this seemingly well-known fact from a revised musicological perspective. Considerations from a broader compositional-creative context that include both instrumental and vocal components lead to insights into the origins and history of some of Stockhausen's electronic projects that have found less attention until now.

Item Type: Journal Article
Creators:
CreatorsEmailORCIDORCID Put Code
von Blumroeder, ChristophUNSPECIFIEDUNSPECIFIEDUNSPECIFIED
URN: urn:nbn:de:hbz:38-201255
Journal or Publication Title: Arch. Musikwiss.
Volume: 75
Number: 3
Page Range: S. 166 - 179
Date: 2018
Publisher: FRANZ STEINER VERLAG GMBH
Place of Publication: STUTTGART
ISSN: 0003-9292
Language: German
Faculty: Unspecified
Divisions: Unspecified
Subjects: no entry
Uncontrolled Keywords:
KeywordsLanguage
MusicMultiple languages
Refereed: Yes
URI: http://kups.ub.uni-koeln.de/id/eprint/20125

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