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        <dc:title>Artefacts and Errors: Acknowledging Issues of Representation in the Digital: Imaging of Ancient Texts</dc:title>
        <dc:creator>Terras, Melissa M.</dc:creator>
        <dc:subject>ddc:004</dc:subject>
        <dc:subject>ddc:020</dc:subject>
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        <dc:description>It is assumed, in palaeography, papyrology and epigraphy, that a certain amount of&#13;
uncertainty is inherent in the reading of damaged and abraded texts. Yet we have&#13;
not really grappled with the fact that, nowadays, as many scholars tend to deal with&#13;
digital images of texts, rather than handling the texts themselves, the procedures for&#13;
creating digital images of texts can insert further uncertainty into the representation&#13;
of the text created. Technical distortions can lead to the unintentional introduction&#13;
of ‘artefacts’ into images, which can have an effect on the resulting representation. If&#13;
we cannot trust our digital surrogates of texts, can we trust the readings from them?&#13;
How do scholars acknowledge the quality of digitised images of texts? Furthermore,&#13;
this leads us to the type of discussions of representation that have been present in&#13;
Classical texts since Plato: digitisation can be considered as an alternative form of&#13;
representation, bringing to the modern debate of the use of digital technology in Classics&#13;
the familiar theories of mimesis (imitation) and ekphrasis (description): the conversion&#13;
of visual evidence into explicit descriptions of that information, stored in computer&#13;
files in distinct linguistic terms, with all the difficulties of conversion understood in the&#13;
ekphratic process. The community has not yet considered what becoming dependent&#13;
on digital texts means for the field, both in practical and theoretical terms. Issues of&#13;
quality, copying, representation, and substance should be part of our dialogue when&#13;
we consult digital surrogates of documentary material, yet we are just constructing&#13;
understandings of what it means to rely on virtual representations of artefacts. It is&#13;
necessary to relate our understandings of uncertainty in palaeography and epigraphy&#13;
to our understanding of the mechanics of visualization employed by digital imaging&#13;
techniques, if we are to fully understand the impact that these will have.</dc:description>
        <dc:publisher>Books on Demand (BoD)</dc:publisher>
        <dc:contributor>Fischer, Franz</dc:contributor>
        <dc:contributor>Fritze, Christiane</dc:contributor>
        <dc:contributor>Vogeler, Georg</dc:contributor>
        <dc:date>2011</dc:date>
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        <dc:language>de</dc:language>
        <dc:identifier>https://kups.ub.uni-koeln.de/4342/1/04_terras.pdf</dc:identifier>
        <dc:identifier>    Terras, Melissa M.   (2011).  Artefacts and Errors: Acknowledging Issues of Representation in the Digital: Imaging of Ancient Texts.     In:    Kodikologie und Paläographie im digitalen Zeitalter 2 - Codicology and Palaeography in the Digital Age 2, 3,            S. 43-61.  Norderstedt:  Books on Demand (BoD).  ISBN 978-3-8423-5032-8        </dc:identifier>
        <dc:language>eng</dc:language></oai_dc:dc>
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