Spies, Christian (2016). Prekäre Perspektiven. Francis Bacons Bildräume im Kontext der internationalen Nachkriegsmoderne. In: Francis Bacon. Unsichtbare Räume, pp. 191-206. Stuttgart: Prestel Verlag. ISBN 978-3791355764
Full text not available from this repository.| Item Type: | Book Section |
| Creators: | Creators Email ORCID ORCID Put Code Spies, Christian UNSPECIFIED UNSPECIFIED UNSPECIFIED |
| Editors: | Editors Email ORCID ORCID Put Code Conzen, Ina UNSPECIFIED UNSPECIFIED UNSPECIFIED |
| Corporate Creators: | Tate Gallery, Staatsgalerie Stuttgart |
| URN: | urn:nbn:de:hbz:38-508053 |
| Title of Book: | Francis Bacon. Unsichtbare Räume |
| Page Range: | pp. 191-206 |
| Number of Pages: | 256 |
| Date: | 2016 |
| Publisher: | Prestel Verlag |
| Place of Publication: | Stuttgart |
| ISBN: | 978-3791355764 |
| Language: | German |
| Faculty: | Faculty of Arts and Humanities |
| Divisions: | Faculty of Arts and Humanities > Fächergruppe 1: Kunstgeschichte, Musikwissenschaft, Medienkultur und Theater, Linguistik, IDH > Kunsthistorisches Institut > Allgemeine Kunstgeschichte |
| Subjects: | The arts |
| Refereed: | Yes |
| URI: | http://kups.ub.uni-koeln.de/id/eprint/50805 |
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