Spies, Christian (2004). Nearly White Noise. Zum Digitalen in der monochromen Malerei. In: Analog/Digital – Opposition oder Kontinuum. Beiträge zu Geschichte und Theorie einer Unterscheidung, pp. 308-334. Bielefeld: transcript Verlag. ISBN 978-3-8394-0254-2
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Identification Number:10.14361/9783839402542-016
| Item Type: | Book Section |
| Creators: | Creators Email ORCID ORCID Put Code Spies, Christian UNSPECIFIED UNSPECIFIED UNSPECIFIED |
| Editors: | Editors Email ORCID ORCID Put Code Schröter, Jens UNSPECIFIED UNSPECIFIED UNSPECIFIED Böhnke, Alexander UNSPECIFIED UNSPECIFIED UNSPECIFIED |
| URN: | urn:nbn:de:hbz:38-511365 |
| Identification Number: | 10.14361/9783839402542-016 |
| Title of Book: | Analog/Digital – Opposition oder Kontinuum. Beiträge zu Geschichte und Theorie einer Unterscheidung |
| Series Name: | Medienumbrüche |
| Volume: | 2 |
| Page Range: | pp. 308-334 |
| Number of Pages: | 434 |
| Date: | 2004 |
| Publisher: | transcript Verlag |
| Place of Publication: | Bielefeld |
| ISBN: | 978-3-8394-0254-2 |
| Language: | German |
| Faculty: | Faculty of Arts and Humanities |
| Divisions: | Faculty of Arts and Humanities > Fächergruppe 1: Kunstgeschichte, Musikwissenschaft, Medienkultur und Theater, Linguistik, IDH > Kunsthistorisches Institut > Allgemeine Kunstgeschichte |
| Subjects: | The arts |
| Refereed: | Yes |
| URI: | http://kups.ub.uni-koeln.de/id/eprint/51136 |
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