Sokolova, Lilia (2018). Post-Secular Space: On the Strange Place of Contemporary Art in Old Active Churches in Germany, 1987–2017. PhD thesis, Universität zu Köln.
This is the latest version of this item.
All available versions of this item
- Post-Secular Space: On the Strange Place of Contemporary Art in Old Active Churches in Germany, 1987–2017. (deposited 04 Apr 2019 11:56) [Currently Displayed]
|
PDF
Sokolova_Post-Secular Space_2018.pdf Download (4MB) | Preview |
Abstract
Thirty years ago two West German churches, Saint Peter in Cologne and Hospital Church in Stuttgart separately from each other commenced series of contemporary non-sacramental and non-religious art exhibitions within their sacred spaces. Today in addition to their ongoing activities, over 3000 religious institutions across Germany welcome various types of non-traditional, i.e. secular, art forms to their active ritual spaces. While the early developments of the 1980s were met with criticism and even opposition, today one can almost take for granted the presence of abstract painting or sculpture inside of an urban church, and be mildly astonished by similar objects in a rural parish. Indeed when contemporary art seems to be ubiquitous, a Christian place of worship becomes yet another location for its public appearance. However, one’s encounter with art in a hotel lobby or a train station cannot be accurately compared to experiencing art in a space of worship. In the case of Christianity, the relationship between art and religion has historically ranged from entwined partnership to extreme animosity. The character of such relations has usually reflected the social and cultural situation at a certain time and place. Likewise, the current predilection for engaging with non-religious and non-devotional examples of contemporary art among German churches can provide insights into the state of socio-cultural affairs in Germany in the beginning of the twenty-first century. By investigating prominent exhibitions and installations of contemporary art in ecclesiastical settings of Cologne, Stuttgart, and ensuing cases elsewhere in the country, this thesis deliberates emergence of a new type of space in old active churches in the twenty-first century and phenomenological meanings of this process.
Item Type: | Thesis (PhD thesis) | ||||||||||||||||
Creators: |
|
||||||||||||||||
URN: | urn:nbn:de:hbz:38-91088 | ||||||||||||||||
Date: | 26 November 2018 | ||||||||||||||||
Language: | English | ||||||||||||||||
Faculty: | Faculty of Arts and Humanities | ||||||||||||||||
Divisions: | Faculty of Arts and Humanities > Fächergruppe 1: Kunstgeschichte, Musikwissenschaft, Medienkultur und Theater, Linguistik, IDH > Kunsthistorisches Institut | ||||||||||||||||
Subjects: | Philosophy Christian theology The arts Civic and landscape art Architecture |
||||||||||||||||
Uncontrolled Keywords: |
|
||||||||||||||||
Date of oral exam: | 14 December 2018 | ||||||||||||||||
Referee: |
|
||||||||||||||||
Refereed: | Yes | ||||||||||||||||
URI: | http://kups.ub.uni-koeln.de/id/eprint/9108 |
Downloads
Downloads per month over past year
Export
Actions (login required)
View Item |