Sygulla, Iris (2015) El concepto del artista moderno en la obra de Enrique Vila-Matas. In: El pueblo de Europa y su voz en el espacio cultural europeo: ¿Quién es el pueblo? – ¡Nosotros somos el pueblo! Kölner Beiträge zur Lateinamerika-Forschung, 13 . Universität zu Köln, Arbeitskreis Spanien - Portugal - Lateinamerika, pp. 301-308.

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Abstract

This study explores the interpretation of the concept of the modern artist in the work of the catalan contemporary author Enrique Vila-Matas.Therefore, it will focus on his novel El mal de Montano (2002). This paper aims to emphasize the representations of the artist and to examine the conception of his identity in this book as well as in the other two novels Bartleby y compañía (2002) and Doctor Pasavento (2005), which all have been subsumed in a trilogy with the title “la catedral metaliteraria” (the metaliterary cathedral). The article assumes a similarity between the concept of the modern artist and the periodization made by Peter V. Zima (2008), which considers postmodern art as a provisional ending of an evolution that began with the revolutionary movements of the seventeenth and eighteenth century.

Item Type: Book Section
Creators:
CreatorsEmailORCID
Sygulla, IrisUNSPECIFIEDUNSPECIFIED
Editors:
EditorsEmailORCID
Wentzlaff-Eggebert, Christianmail-aspla(at)uni-koeln.deUNSPECIFIED
Traine, Martínmail-aspla(at)uni-koeln.deUNSPECIFIED
URN: urn:nbn:de:hbz:38-68378
Series Name: Kölner Beiträge zur Lateinamerika-Forschung
Publisher: Universität zu Köln, Arbeitskreis Spanien - Portugal - Lateinamerika
ISSN: 1438-6887
Volume: 13
Subjects: Romance languages French
Uncontrolled Keywords:
KeywordsLanguage
literatura catalana, modernidad, postmodernidad, identidadSpanish
Divisions: Faculty of Arts and Humanities > Centro Latinoamericano de Colonia (CLAC)
Language: Spanish
Date: 2015
Full Text Status: Public
Related URLs:
Date Deposited: 23 Jun 2016 12:05
URI: http://kups.ub.uni-koeln.de/id/eprint/6837

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