Liebrand, Claudia (2017). Montierte Körper, montierte Gesten und 'male hysteria'. Robert Wienes "Orlac's Hände". In: Späte Stummfilme. Ästhetische Innovationen im Kino 1924-1930, pp. 137-155. Marburg: Schüren. ISBN 978-3-89472-959-2
Full text not available from this repository.| Item Type: | Book Section, Proceedings Item or annotation in a legal commentary | ||||||||
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| URN: | urn:nbn:de:hbz:38-509838 | ||||||||
| Title of Book: | Späte Stummfilme. Ästhetische Innovationen im Kino 1924-1930 | ||||||||
| Series Name: | Schriftenreihe zur Textualität des Films | ||||||||
| Page Range: | pp. 137-155 | ||||||||
| Number of Pages: | 400 | ||||||||
| Date: | 2017 | ||||||||
| Publisher: | Schüren | ||||||||
| Place of Publication: | Marburg | ||||||||
| ISBN: | 978-3-89472-959-2 | ||||||||
| Language: | German | ||||||||
| Faculty: | Faculty of Arts and Humanities | ||||||||
| Divisions: | Faculty of Arts and Humanities > Fächergruppe 3: Deutsche Sprache und Literatur > Institut für Deutsche Sprache und Literatur I | ||||||||
| Subjects: | Public performances | ||||||||
| Refereed: | Yes | ||||||||
| URI: | http://kups.ub.uni-koeln.de/id/eprint/50983 |
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