Hommers, Jeannet ORCID: 0000-0002-2229-3276 (2019). Choreographie der Lanzen. Hans Holbeins Gewalthaufen und die Ästhetisierung von Lanzen, Piken und Spießen in den nordalpinen Bildkünsten um 1500. In: Objekte des Krieges: Präsenz & Repräsentation, pp. 67-82. Berlin; Boston: De Gruyter. ISBN 978-3-11-060809-0

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Identification Number:10.1515/9783110608410-004

Item Type: Book Section
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Hommers, Jeannet
jeannet.hommers@uni-koeln.de
https://orcid.org/0000-0002-2229-3276
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Kaske, Romana
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Saviello, Julia
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URN: urn:nbn:de:hbz:38-512994
Identification Number: 10.1515/9783110608410-004
Title of Book: Objekte des Krieges: Präsenz & Repräsentation
Series Name: Object Studies in Art History
Volume: 2
Page Range: pp. 67-82
Number of Pages: 176
Date: 2019
Publisher: De Gruyter
Place of Publication: Berlin; Boston
ISBN: 978-3-11-060809-0
Language: German
Faculty: Faculty of Arts and Humanities
Divisions: Faculty of Arts and Humanities > Fächergruppe 1: Kunstgeschichte, Musikwissenschaft, Medienkultur und Theater, Linguistik, IDH > Kunsthistorisches Institut
Subjects: The arts
Refereed: Yes
URI: http://kups.ub.uni-koeln.de/id/eprint/51299

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