Avenarius, Martin (2015). Vom théatron zur Bühne totalitärer Gesellschaftsstrukturen. Die Rezeption griechischer Elemente in die Theaterordnung des Prinzipats, deren Instrumentalisierung zur politischen Einvernahme der Gesellschaft und die staatsbezogene Ausgestaltung des Ehe- und Familienrechts. In: Il diritto romano e le culture straniere. Influenze e dipendenze interculturali nell’antichità, pp. 59-121. Lecce: Grifo.
Full text not available from this repository.| Item Type: | Book Section |
| Creators: | Creators Email ORCID ORCID Put Code Avenarius, Martin UNSPECIFIED UNSPECIFIED UNSPECIFIED |
| Editors: | Editors Email ORCID ORCID Put Code Lamberti, Francesca UNSPECIFIED UNSPECIFIED UNSPECIFIED Gröschler, Peter UNSPECIFIED UNSPECIFIED UNSPECIFIED Milazzo, Francesco UNSPECIFIED UNSPECIFIED UNSPECIFIED |
| URN: | urn:nbn:de:hbz:38-547393 |
| Title of Book: | Il diritto romano e le culture straniere. Influenze e dipendenze interculturali nell’antichità |
| Series Name: | Iuridica historica |
| Volume: | 3 |
| Page Range: | pp. 59-121 |
| Number of Pages: | 347 |
| Date: | 2015 |
| Publisher: | Grifo |
| Place of Publication: | Lecce |
| Language: | German |
| Faculty: | Faculty of Law |
| Divisions: | Faculty of Law > Zivilrecht > Professur für Römisches Recht |
| Subjects: | Law |
| Refereed: | Yes |
| URI: | http://kups.ub.uni-koeln.de/id/eprint/54739 |
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