Spies, Christian (2016). Prekäre Perspektiven. Francis Bacons Bildräume im Kontext der internationalen Nachkriegsmoderne. In: Francis Bacon. Unsichtbare Räume, pp. 191-206. Stuttgart: Prestel Verlag. ISBN 978-3791355764
Full text not available from this repository.| Item Type: | Book Section, Proceedings Item or annotation in a legal commentary | ||||||||
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| Corporate Creators: | Tate Gallery, Staatsgalerie Stuttgart | ||||||||
| URN: | urn:nbn:de:hbz:38-508053 | ||||||||
| Title of Book: | Francis Bacon. Unsichtbare Räume | ||||||||
| Page Range: | pp. 191-206 | ||||||||
| Number of Pages: | 256 | ||||||||
| Date: | 2016 | ||||||||
| Publisher: | Prestel Verlag | ||||||||
| Place of Publication: | Stuttgart | ||||||||
| ISBN: | 978-3791355764 | ||||||||
| Language: | German | ||||||||
| Faculty: | Faculty of Arts and Humanities | ||||||||
| Divisions: | Faculty of Arts and Humanities > Fächergruppe 1: Kunstgeschichte, Musikwissenschaft, Medienkultur und Theater, Linguistik, IDH > Kunsthistorisches Institut > Allgemeine Kunstgeschichte | ||||||||
| Subjects: | The arts | ||||||||
| Refereed: | Yes | ||||||||
| URI: | http://kups.ub.uni-koeln.de/id/eprint/50805 |
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