Hommers, Jeannet ORCID: 0000-0002-2229-3276 (2019). Choreographie der Lanzen. Hans Holbeins Gewalthaufen und die Ästhetisierung von Lanzen, Piken und Spießen in den nordalpinen Bildkünsten um 1500. In: Objekte des Krieges: Präsenz & Repräsentation, pp. 67-82. Berlin; Boston: De Gruyter. ISBN 978-3-11-060809-0
Full text not available from this repository.Item Type: | Book Section, Proceedings Item or annotation in a legal commentary | ||||||||||||
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URN: | urn:nbn:de:hbz:38-512994 | ||||||||||||
DOI: | 10.1515/9783110608410-004 | ||||||||||||
Title of Book: | Objekte des Krieges: Präsenz & Repräsentation | ||||||||||||
Series Name: | Object Studies in Art History | ||||||||||||
Volume: | 2 | ||||||||||||
Page Range: | pp. 67-82 | ||||||||||||
Number of Pages: | 176 | ||||||||||||
Date: | 2019 | ||||||||||||
Publisher: | De Gruyter | ||||||||||||
Place of Publication: | Berlin; Boston | ||||||||||||
ISBN: | 978-3-11-060809-0 | ||||||||||||
Language: | German | ||||||||||||
Faculty: | Faculty of Arts and Humanities | ||||||||||||
Divisions: | Faculty of Arts and Humanities > Fächergruppe 1: Kunstgeschichte, Musikwissenschaft, Medienkultur und Theater, Linguistik, IDH > Kunsthistorisches Institut | ||||||||||||
Subjects: | The arts | ||||||||||||
Refereed: | Yes | ||||||||||||
URI: | http://kups.ub.uni-koeln.de/id/eprint/51299 |
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