Sygulla, Iris (2015). El concepto del artista moderno en la obra de Enrique Vila-Matas. In: El pueblo de Europa y su voz en el espacio cultural europeo: ¿Quién es el pueblo? – ¡Nosotros somos el pueblo!, pp. 301-308. Universität zu Köln, Arbeitskreis Spanien - Portugal - Lateinamerika.

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Abstract

This study explores the interpretation of the concept of the modern artist in the work of the catalan contemporary author Enrique Vila-Matas.Therefore, it will focus on his novel El mal de Montano (2002). This paper aims to emphasize the representations of the artist and to examine the conception of his identity in this book as well as in the other two novels Bartleby y compañía (2002) and Doctor Pasavento (2005), which all have been subsumed in a trilogy with the title “la catedral metaliteraria” (the metaliterary cathedral). The article assumes a similarity between the concept of the modern artist and the periodization made by Peter V. Zima (2008), which considers postmodern art as a provisional ending of an evolution that began with the revolutionary movements of the seventeenth and eighteenth century.

Item Type: Book Section
Creators:
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Sygulla, Iris
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Wentzlaff-Eggebert, Christian
mail-aspla(at)uni-koeln.de
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Traine, Martín
mail-aspla(at)uni-koeln.de
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URN: urn:nbn:de:hbz:38-68378
Title of Book: El pueblo de Europa y su voz en el espacio cultural europeo: ¿Quién es el pueblo? – ¡Nosotros somos el pueblo!
Series Name at the University of Cologne: Kölner Beiträge zur Lateinamerika-Forschung
Volume: 13
Page Range: pp. 301-308
Date: 2015
Publisher: Universität zu Köln, Arbeitskreis Spanien - Portugal - Lateinamerika
ISSN: 1438-6887
Language: Spanish
Divisions: Faculty of Arts and Humanities > Zentrale Forschungseinrichtungen > Zentrum für Lateinamerika
Subjects: Romance languages French
Uncontrolled Keywords:
Keywords
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literatura catalana, modernidad, postmodernidad, identidad
Spanish
Related URLs:
Refereed: No
URI: http://kups.ub.uni-koeln.de/id/eprint/6837

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