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Number of items: 13.


Nematollahy, Kamyar (2022). Iranian Classical Music Since the 1970s: The Discourses of Tradition and Identity. PhD thesis, Universität zu Köln.


Cuevas, Pablo (2020). Elektroakustische Musik aus Lateinamerika. Identität – Geschichte – Lesarten. PhD thesis, Universität zu Köln.


Hornyak, David (2019). Anytime but now. Das kulturelle Umfeld von Synthwave. Bachelor thesis, Universität zu Köln.

Asano, Rie ORCID: 0000-0002-6901-7885 (2019). Principled Explanations in Comparative Biomusicology – Toward a Comparative Cognitive Biology of the Human Capacities for Music and Language. PhD thesis, Universität zu Köln.

Motia, Rouzbeh (2019). Radīf-ha and pre-composed pieces in the repertoire of Iranian dastgāhi music and their role in the development of instrumental techniques and performances. PhD thesis, Universität zu Köln.


Spinetti, Federico (2018). Passaggi di memoria: ‘Fischia il vento’ e la sua eredità nelle canzoni. Studi e ricerche di storia contemporanea. Rassegna dell’Istituto bergamasco per la storia della Resistenza e dell’età contemporanea (90). pp. 67-100. Bergamo: Istituto bergamasco per la storia della Resistenza e dell’età contemporanea. ISSN 1974-2614


Spinetti, Federico (2017). Choreographing the Self: Staged Folklore and Popular Music in Rural Tajikistan. Ethnomusicology Ireland (5). pp. 75-100. Limerick: ICTM Ireland. ISSN 2009-4094


Mengel, Maurice (2015). The Archaeology of an Archive: Uses of Knowledge at the Institut de Etnografie și Folclor in Bucharest. PhD thesis, Universität zu Köln.


Schmidt, Lüder (2010). Embodied Cognitive Science of Music. Modeling Experience and Behavior in Musical Contexts. PhD thesis, Universität zu Köln.

Spinetti, Federico (2010). Introduzione: Traiettorie fra Italia e Turchia in musica e in etno/musicologia. In: Giuseppe Donizetti Pascià: Traiettorie musicali e storiche tra Italia e Turchia / Giuseppe Donizetti Pasha: Musical and historical trajectories between Italy and Turkey, xiii-liii. Bergamo: Fondazione Donizetti.


Bickenbach, Anke (2008). Der funktionelle Gebrauch von Source-Music als autonome Musik in einer Auswahl von Wim Wenders Filmen. Masters thesis, Universität zu Köln.

Peters, Tanja Elisabeth (2008). George Gershwins und Jerome Kerns Musicalsongs - Ihre Ähnlichkeit, Wahrnehmung und musikalische Struktur. PhD thesis, Universität zu Köln.


Spinetti, Federico (2007). Sonic Practices and Concepts in Tajik Popular Music. In: Proceedings of the Conference Music in the World of Islam, Assilah, Morocco, 8-13 August 2007, pp. 1-8. Assilah; Paris: Fondation du Forum d’Assilah; La Maison des Cultures du Monde.

This list was generated on Tue Jan 31 01:13:23 2023 CET.